About the Breslin Public Policy blog
Welcome to the Breslin Public Policy blog. With entries posted by Tony Breslin, it will give you a flavour of what we are working on and what we see as the 'hot' issues in public policy, especially in the fields of education, political participation and youth and community engagement, and on issues such as organisational leadership, notably in education and in the third sector, and corporate responsibility. Please use this space to talk back to us. We want it to be a discussion forum, not just a sounding board!
Wednesday, 8 February 2012
Stephen Twigg MP, Professor Geoff Whitty CBE and Children's Commissioner Maggie Atkinson to speak at the launch of Transform Education
Breslin Public Policy Launch: many thanks to all!
Many, many thanks to all of you who helped us to celebrate the launch of Breslin Public Policy last night - really, really appreciated and a fantastic evening with lots of bustling and productive conversation. It was great to bring so many people together, drawn from across the fields of policy and practice. Connecting these too often separate realms is key to everything we do.
If you had intended to join us but were unable to do so on the evening, or if you simply couldn't make the date, do stay in touch - we hope to see you at our next event, for which you will receive an invitation shortly.
I am also pleased to confirm that, following our free charity raffle, we will be making donations of £100 to Medicins Sans Frontières, School Home Support and Age UK. We're proud to give this sum to each of these great causes, our own attempt to do Responsible Business and demonstrate Corporate Responsibility.
For those of you who were not there, the charities were chosen by our winners: Francis Sealey of GlobalNet 21, Anne McHardy of McHardy Farrell Media and Carly Mason of V. We will be making the donations this week.
The good news for the three winners is that they also get a voucher for a meal for two and a bottle of wine at Charterhouse Bar, kindly donated by Charterhouse. We will be in touch with the winners shortly to confirm how to claim your voucher.
Many thanks to Phil, Janice, Ed and the team at Charterhouse for a great evening - a lovely venue and already established as the home of one of our favourite networks, Convergence.
Thanks, also, to Richard O'Sullivan and Phil Ventre at Callisto for developing our branding and our website concept and design, to Helen Wiles at Helen Wiles Zine for building the website and to Grace Pluckrose-Oliver for making our first short film, which you can view on the site: http://www.breslinpublicpolicy.com/.
On the site you will find details about the various prjects that we are currently working on, or have previously worked on. Early partners include The Bridge Group, V, CCE England, East Sussex County Council, the Diana Award, Navigation Learning, Character Scotland, the British Olympic Foundation and the British Paralympic Association; we are grateful to each of you for your support and for inviting us to work with you.
Our next event, which we are staging in partnership with Global Net 21, is the launch of our signature education project, Transform Education. This will take place at Portcullis House, part of the Palace of Westminster on the evening of Tuesday 13th March.
This is the first of three meetings in which we will explore the challenges facing us as we seek to build education systems and develop approaches to learning that meet our needs in the first part of the twenty-first century. The focus of the first meeting will be on issues of curriculum and achievement in the school sector.
We are thrilled to confirm Stephen Twigg MP, Shadow Secretary of State for Education, Professor Geoff Whitty CBE of the University of Bath's School of Management (and formerly Director at the University of London's Institute of Education) and Maggie Atkinson, The Children's Commissioner for England, as our speakers. You can get a sense of what we will be discussing by listening to the podcast on our site, produced by Francis Sealey at GlobalNet 21.
In the meantime, thank you again for celebrating with us last night or for helping us to get to this point in some other way. Your support has been greatly appreciated.
Now the work begins.
Tuesday, 31 January 2012
What shall we do about vocational education?
Tuesday, 20 December 2011
Citizenship Education and the National Curriculum Review: a disappointment or a chink of light?
Thursday, 8 December 2011
Examinations: let's take this as a wake-up call rather than an excuse to indulge in 'moral panic'
Tuesday, 6 December 2011
We need to distinguish between illicit access, professional lobbying and legitimate campaigning
Here, the work of interest groups, especially those small and medium sized organisations that dominate the third sector and civil society more broadly - community groups, charities, social enterprises - is completely different. The effectiveness, power and authority of their lobbying rests not in the size of their bank balance or the fee they can pay to get others to do their lobbying for them but in their ability to win supporters to their cause through argument, ingenuity and sheer hard work. And it rests the talent of their committed staff, trustees and volunteers.
Punishing those caught 'buying' influence through the back door will strengthen democracy, clipping the wings of the professional lobbyists (through registers and regulation) will protect it, encouraging and building the capacity of those campaigning for change will invigorate it, putting an Arab-style 'spring' in all our steps, producing a bigger society by any definition.
Perhaps the more enlightened and corporately responsible professional lobbying firms might re-invent themselves - not just lobbying for their wealthy clients, but developing a business model that enables them to share their tool-box more broadly - offering training to community groups, smaller charities and others who are short on human, social and financial capital. If their 'dark arts' are brought into the light, we might all benefit - and our politics would too.
Monday, 5 December 2011
Let's not go from austerity in the economy to austerity in the curriculum: art for all our sakes
When the economic climate is tough, it is normal for the pendulum to swing towards a concern for the basics, not least in the field of education. The spirit is of ‘lock-down’ not luxury and in educational terms that tends to translate into a focus on standards, especially in terms of literacy and numeracy, a stronger concern for discipline and behavior and a tendency to blame current woes, not least the past summer’s disturbances, on the liberal indulgences of the past.
Whatever the merits of a swing back towards more ‘conservative’ practice, this blame culture is unhelpful. No educationalist, progressive or traditional, should be content when any child leaves formal education without the skills of word or number that are so vital to success and none is - a cursory look at the literacy levels amongst the low paid and within prison communities will confirm the perils of not having these capacities. Likewise, while progressives and traditionalists might differ on what good discipline is and how it is achieved, no educationalist seeks to promote or reward behavior that undermines learning.
Too often, though, those on the progressive side of this divide have inadvertently allowed their desire to ‘do’ education differently to be equated with a lack of concern for standards and basics while traditionalists have been content to present anything beyond their notion of a core curriculum as the ‘fluffy’ stuff to be dealt with, if at all, after the basics have been delivered. And, thanks to the positions taken by each set of protagonists, it is into this corner, that the arts, the humanities and creativity are painted; this makes the current environment a challenging one for theatre companies such as Arc Theatre for Change, the Barking based education and diversity focused company led by Carole Pluckrose and Clifford Oliver where I have the privilege of being a Board Member. “How will it impact on our results?” is the understandable cry from school leaders and local authority advisers, when the possibility of a performance is put to them. No wonder, at a time when grades matter all the more, cash is tight, the future is uncertain and the pendulum is swinging towards a narrower conception of what schools are for and what they need to do.
This summer’s ‘riots’ should give policymakers and practitioners pause for thought. The millionaire’s daughter and the miscreant teaching assistant may have grabbed the headlines but the emerging arrest and conviction statistics suggest that many of the participants were from the other side of the tracks. The key to unlocking the potential of these young people, those that are the least engaged in our educational system - those that come from the most disrupted backgrounds - does not lie in lock-down but in serious attempts to harness their creativity and engage them in the liberating project that education can and ought to be. Here, the arts, the humanities, citizenship, the wider social curriculum and pedagogic approaches and processes that are human, rather than industrial, in scale are vital. Work such as that which Arc is engaged in through pieces like Stereo, Boy X and Girl E engages precisely these young people for three reasons: first, it gives voice to their experience; second, it involves them directly, through the medium of drama, in the telling of their stories; third, in so doing, it develops their self-esteem, their capacity to drive change and many of the skills vital for success within and beyond the classroom. In the rush to ‘basics’ and a desire to get tough with ‘feral’ youth, it would be an error to think that tough discipline and a narrower curricular offer, underpinned by the introduction of the new e-baccalaureate and an emaciated ‘back to basics’ National Curriculum, will deal with the problem.
Few things are as important as these basics but we are only likely to ensure that the most disaffected of our young people master them, if we are anything but basic in our approach. The arts, the humanities and the wider social curriculum aren’t the ‘fluffy’ stuff to be put off until a better day; they are a key means of building inclusion and achievement across the ability and motivational range, as the young actors engaged in delivering Arc’s seminal work, and their appreciative audiences, will testify. To find out more about Arc go to: http://www.arctheatre.com/